5 Comments

  1. Don Cheke
    11 June 2025 @ 12:52 am

    The beauty of imperfection…

    I can’t put in words how much I love that first image. To me, it is just perfect in its simple elegance. I bet that it was one of those pieces that just appeared and resonated with you, as it does with me. No tweaks or additions required.

    Thanks for sharing your journey in this blog post. I can relate so well to finding freedom in creating abstract art.

    This was such a great review of beauty and imperfection. As always, your thoughts are deep and thought provoking. I especially liked your comments about moral beauty, and inner beauty. All well said!

    Balance and harmony, please. I’ll take that any day.

    Side note:
    As I was viewing your art throughout this blog post, I wondered if you found it stressful or disturbing in some way, having to wait for one layer of paint to dry before moving on to the next layer. If this is how it is/works, can you get back into the same painting groove as quickly and as deeply as when working on the earlier layers. Perhaps the required breaks give you more time to ponder. Any thoughts on this?

    Reply

    • Suhail
      11 June 2025 @ 10:06 am

      Thank you so much, Don.

      It’s a beautiful sunny morning here in the UK, for a change. I’m hoping for a few more dry days so I can finally finish my son’s garden. I’ve been busy replacing a section that was covered in bark and wood chips, aiming to extend the lawn.

      It turned out to be quite a task, as I found three layers of landscape fabric underneath, with weeds rooted deep through all of them. A couple of weeks ago, I managed to clear away the fabric and the weeds, about four tonnes’ worth, in just two dry days. But then the rain returned.

      Two tonnes of topsoil and compost need to be laid down next. Yesterday I managed a quarter of it. I do prefer working without long interruptions, but as you know, the weather here has its own ideas.

      Who said that gardening was fun!!! It’s back breaking.

      Back to the feature image in the blog. Years ago, I came across a small MDF board among a pile of other boards in my studio and something about it caught my eye, even though I usually prefer working on a larger scale.

      I think it’s only about 12 by 18 inches, but I felt the subject needed to be ‘enormous’. It didn’t take long to think what’s bigger than space? That’s how the painting got its name, “Into Nothingness”.

      The idea of nothingness in space has always fascinated me, especially after watching Carl Sagan’s brilliant ‘Cosmos’ series in the 1980s. He spoke about the vast emptiness of the universe, not as a true void, but as a profound space full of possibility.

      In abstract art, I think nothingness challenges our focus on the visible and tangible, making space for ambiguity, interpretation and introspection. It’s a reminder that even “nothing” can become “something” particularly in abstract art, a place for thought, feeling and conversation.

      Sometimes, what’s missing is just as important as what’s there.

      It’s a big topic, perhaps one for another time.

      About your side note: I use both acrylics and oils. Acrylics dry quite quickly, while oils can take much longer. With oils, you can paint wet-on-wet or wait for each layer to dry before adding the next.

      I’m sure you will appreciate as a writer yourself, it’s rarely the case a book is written in one sitting. I think, much like writing, painting benefits from pauses. Those breaks give me time to reflect and see things differently to continue.

      I never feel rushed to finish a painting. I enjoy the process and sometimes wish it would last even longer.

      I know some artists are keen to finish quickly so they can share their work and I understand that urge, but for me, the painting will be ready to be seen when it’s truly finished.

      I’ll stop here before I ramble on. Thanks again, Don, for your thoughtful words.

      Reply

  2. Don Cheke
    11 June 2025 @ 4:35 pm

    Thanks Suhail, for sharing more on the subject. It was interesting to read about your thoughts on nothingness. I had just written about that a couple weeks ago for a blog post that went up two days ago.

    I find your work so inspiring that it often has me thinking about it long after I have visited your website and read a blog post.

    If you don’t mind, I’d like to share what I was thinking about with the initial image again. Three things came to mind.

    The first was that it is a tether connecting the Earth to the heavens, or the cosmos as a whole.

    The second is a tether from you, or I, or someone else, to the creative collective that encompasses Earth, a channel that opens up to the artist when he/she sets aside his/her ego and lets that creativeness through, a conduit as I have talked about elsewhere.

    The third is more earthbound, but because there is that small space between the top peak and the remainder of the body, I thought that it could represent a rocket launch, man’s search for meaning out in the cosmos.

    On another note, I have noticed by reading your blog posts that not all your paintings are for sale on your shopping pages. How do you decide what you are going to sell. Or want to sell?

    Lastly, I appreciated hearing about your gardening effort at your son’s place. That is a huge loving gesture to take on such a task. I have never been a gardener, but I can see the appeal of it. I have a couple friends who are gardeners, and the beauty in their achievements is artistic and breathtaking. I bet yours in the garden will be too.

    Reply

    • Suhail
      11 June 2025 @ 10:15 pm

      Thank you, Don, for taking the time to read and share your thoughtful feedback on my blogs and paintings. It’s genuinely much appreciated.

      I’m rather taken with your three profound reflections on nothingness. It truly is beyond ‘the sky’s the limit’, isn’t it? That’s really deep thinking and I’m still thinking about it. I’d never actually thought there was such a word (nothingness) until I heard it from Carl Sagan.

      The idea behind the concept of nothingness and its connection to my abstract painting, in my view, is that abstract non-representational art, in particular, could be utterly limitless. The only real limitation is probably our own imagination and interpretation of feelings.

      And I will certainly read your blog. Sounds interesting.

      Regarding selecting which paintings to put up for sale on my website, I consider the following factors to offer a broader range for potential international clients:

      a) I work on three different surfaces: cotton canvas, archival paper and MDF board. So I’ve uploaded paintings across those three mediums.
      b) A selection of varying sizes. The largest on display measures 32×40″ and the smallest is roughly 16×23″. Shipping cost is also considered in this particular point.
      c) Orientation. I mentioned previously that I primarily paint in portrait format, but I’ve included the only five paintings I’ve done in landscape format.
      d) Composition. Different compositions reflecting various moods or states of mind.
      e) Colour. A range of different colours, from vibrant to nearly monochrome.
      f) A sample of paintings from a series.
      g) Less is more. There are 20 oil paintings and 21 acrylics. I think showcasing many more might confuse viewers. Sometimes, I think even 41 is rather a lot.
      h) Price range from £960 down to £490.

      I sell most of my paintings through networking. Word of mouth works well for me. This network developed over the years through voluntary work supporting our local junior football (soccer) club. Completely unintentional that it would become my best source for selling paintings.

      ‘I need Dad, the plumber’, ‘I need Dad, the decorator’, ‘I need Dad, the mechanic’, ‘I need Dad, the gardener’, etc. That’s what I hear from time to time. I’m not even a skilled DIYer or gardener, really. I just have a go at things and do my best.

      I’ve still got a quarter tonne of topsoil and a tonne of compost waiting for me!

      Wish me luck.

      Reply

      • Don Cheke
        12 June 2025 @ 12:51 am

        Wishing you luck with the topsoil! 👍😊

        Thanks for the great response. I like how you mentioned “no limits”, I guess art can touch or spark things in whatever way the viewer is open to. Whether that is based on their cultural or spiritual views, where they are in their own psyche at any given moment. It is all so personal, and as you noted, it may not be anything that the original artist had in mind. I can’t really think of anything else that is so open to interpretation as art, especially abstract art.

        Thanks for sharing your details about selecting what pieces you sell and why. I figured that you likely had a plan and process. I can relate to word of mouth, as that was how it was with my business over the years.

        I am looking forward to reading more of your blog posts.

        Reply

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