9 Comments

  1. Don Cheke
    19 October 2025 @ 10:41 pm

    Lots of great info in this blog post, Suhail! Thanks for sharing it all.

    I enjoyed all the art you shared as well. If you don’t mind, can you tell me/us a bit about the feature image at the top of the post, and the one under section 45.

    Reply

    • Suhail
      20 October 2025 @ 12:33 pm

      Thanks so much, Don. I really appreciate your feedback. This blog turned out to be quite a long one, aiming to share some short and simple Q&As about abstract art. It grew out of conversations with several beginner artists who wanted to understand it a bit more.

      As for the paintings, I’ll try to talk about them and I hope it makes some sense.

      The feature image

      We all have moments when everything feels like it’s happening at once – joy, calm, chaos and hope all tangled together. That’s where this painting began. I had an intention, but not a plan. I simply let the colours speak first.

      Red, for me, has always carried that spark of energy and passion – bold, emotional and full of life (definitely an attention seeker). Turquoise brings a sense of calm balance, like a cool breath in the middle of intensity. Black and white (my favourite colours) ground everything, adding weight, space and contrast. They remind me that even when things feel chaotic, there’s always a quiet sense of order waiting to emerge.

      What really brings this piece to life is the texture. I like how thick layers of paint catch the light, creating ridges and valleys that make the surface feel almost sculptural. It’s a painting that invites you to move around it – to let the light and colour shift with your perspective.

      I think of it as an expression of energy in motion. It’s not about depicting something you can name, but about capturing the feeling of being caught in life’s constant ebb and flow. Abstract art often mirrors that – our inner world, full of emotion, colour and contradiction.

      In the end, your interpretation and other viewers matter most. That’s what excites me – the moment when the painting becomes yours.

      The second painting

      I chose red, yellow and blue as the main colours in several of my pieces. They’re the three basic colours in art, and to me, they’re like words in my own painting language.

      Red feels energetic and passionate, yellow brings hope and brightness, and blue adds calm and quiet.
      Black gives a sense of strength, while white always feels like a fresh start – space to breathe.
      Those vertical brushstrokes? They’re about living life upright.

      This painting explores harmony within chaos. It’s a bit like life – often messy, but we’re always finding ways to make sense of it.
      Red will always be the attention seeker for me, but yellow – the most hopeful colour – is the one that shines through from afar. (Amber is used for street lights because it has the longest wavelength, helping it cut through fog.) That’s how I think of hope – something that breaks through the confusion.

      It also makes me wonder how we use these same tools – colour, energy, rhythm – in our own lives.

      I’d like to know what you see in them. Everyone’s interpretation adds something new and unexpected, but there’s absolutely no pressure to share.

      If you like, try this small exercise: What do these paintings make you feel right now?

      Then look at them again in a few days or weeks, do those feelings change?

      Again no pressure to share, unless you want to. It’s just a quiet moment of reflection.

      Reply

      • Don Cheke
        20 October 2025 @ 4:53 pm

        Thanks for taking time to talk about the paintings, Suhail. I always appreciate it when you share your insights into your art as it offers a look into your world, your life, your feelings, etc. It’s nice to get to know you that way.

        I like how you talked about the texture of the first image. I remember reading your article about the texture of paintings not showing in photos, which is so true, but I was able to feel it and envision it with your explanation. I see within the image the chaos you mention, but it almost seems ordered to me in some way. It is almost like how we all have our lives, as chaotic as they might be, and it is our life, unlike anyone else’s, but similar because we are all equally human. I hope that makes sense. The colors work so well, in my opinion.

        With regards to the second image, I love the brilliance of the red, the yellow, and the blue. I love the vertical flow and layout which I noticed before I read your reply. I am sure I picked that up from your article on Vertical & Horizontal painting. Rest assured, what you say sticks. 👍😊 I see the image as a patchwork, or quilt, of life. Many layers, many feelings – and a lovely patina, as I have talked about in some of my own writing. I had the weirdest thought and sensation just now, thinking that if you superimposed a rough or abstract drawing of a face onto the piece, it would feel much like a shroud, reflecting the life of the person on it, or representative of each one of us on it, each respective life, as it were. This piece is especially stunning.

        As I was looking at your paintings again today, I wondered if you have written in one of your blog posts about taking photos of your paintings – how to do it kind of thing. I ask because I think you have experience doing that with the light just so, as to not have light and dark areas on the results like so many of us do when taking pictures. I thought maybe you have a special setup that allows for your good photos.

        Thanks again for sharing all that you do. Of the nearly 10 billion people of Earth, I am happy that our random digital paths crossed and I found your art and your blog. What were the chances of that!?

        Reply

        • Suhail
          21 October 2025 @ 1:19 pm

          Thank you so much, Don, for your thoughtful message and for taking the time to read my blogs and comments. It always means a lot. Talking about my paintings can sometimes feel just as challenging as creating them, but maybe that’s part of what makes the abstract world so intriguing.

          Many of my paintings reflect the ups and downs we all face – the unpredictability, the chaos, the quieter moments in between. I’ve come to see all of that as part of living. But life isn’t only about the rough patches – there’s also that nicer, calmer side we get to enjoy and hold onto when it comes along.

          “What a Wonderful World,” as Louis Armstrong just said.

          About photographing my paintings – I usually set up large white cards around three sides and across the top, angled to catch as much natural light as possible from a big window but never direct sunlight. I move the cards around until the reflections and shadows are minimised. Sometimes I just have to wait for the right moment, when the light feels balanced and the colours show their best.

          That said, it doesn’t always go smoothly. For instance, in the “Vertical vs. Horizontal Living” blog, the images caught more light than I expected, even after trying different angles and times of day. It might be the paint type or the way those vertical and horizontal strokes bounce light about. It reminds me a little of the moiré effect in photography – those odd patterns that appear when you photograph close lines or textures.

          Life really is a journey – we’re all heading the same way, just taking different routes. Along the way, we meet people at unexpected turns. The internet has opened new paths for that – and it’s been great connecting through art and conversation.

          Thanks again for your kind words and for sharing your thoughts so openly.

          Reply

  2. Don Cheke
    21 October 2025 @ 4:24 pm

    Thanks again, Suhail!

    I appreciate the setup you described for the photography.

    Reply

  3. Jaison Cianelli
    4 February 2026 @ 6:37 pm

    Hi,
    Most of my work now is a digital mixed media, but when I do put down paint, I definitely find that music is a major inspiration while working on abstract art. It helps the mind stay free flowing and allows for gestural movements to be at one with moment. Some of my very best “happy accidents” were always musically experimental in nature – spontaneously expressed while in the rhythm of the music. Anyway, just thought I would share. All the best to fellow artists out there!

    Reply

    • Suhail
      5 February 2026 @ 8:53 am

      Hi Jaison,

      Thank you for sharing your thought.

      Music has a huge influence on my creative process too. I once tried painting without it, just to see what would happen, but the experience felt strangely empty, almost as if something vital was missing. That experiment made me realise how deeply sound and movement are intertwined in my work.

      I’ve built a playlist over the years, about eight hours long, and it’s become a kind of creative trigger. The moment one of those songs begins, my mind seems to slip naturally into that free, open space where painting happens. It’s almost a conditioned response now, a kind of quiet ritual before I even pick up a brush.

      I wouldn’t call my process fully synaesthetic, but there’s definitely a dialogue between what I hear and how my hands move. The rhythm, the texture, even the energy of the music seems to guide my gestures and shape the flow of the work.

      Thank you again for your thoughtful comment. And it’s great to connect with another artist who feels the same pull between sound and expression.

      Reply

      • Jaison Cianelli
        5 February 2026 @ 9:05 pm

        Absolutely. There is certain music that is more conducive, probably because it tugs on the emotional strings or clears the thoughts. And of course, everyone is different on what works best for their own creative process, but it is a wonderful feeling. I’m sure a lot of artists feel the same way. Thanks for your reply Suhail!

        Reply

        • Suhail
          6 February 2026 @ 7:43 pm

          Hi Jaison,

          You’ve expressed it beautifully. Music really does open different emotional doors for each artist. Some pieces immediately centre me, while others awaken something more intuitive, almost untamed, that finds its way into the paint without me realising. It’s such a personal thing, yet it links us as artists in a quiet, universal way.

          That state you mentioned, where music and motion merge, it’s such an extraordinary feeling, isn’t it? When that happens, it’s as if the art takes over and we’re just there to follow where it wants to go. Those are the moments I live for in the studio.

          Recently, I came across ‘Between Two Points’ by David Gilmour and his daughter, Romany. It’s amazing. It has this haunting calm to it, like drifting through light and shadow at once. When I paint while listening, everything slows down; my brush becomes more thoughtful, almost as if it’s breathing with the music. It’s on a completely different level.

          Thank you again for sharing your reflections. It’s been such a pleasure talking with you. It’s rare to find someone who truly understands that deep, almost synaesthetic connection between sound and creation.

          Reply

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